The Alluring Mystery Of Cologne Fragrance Fragments

A Cologne Fragment refers to the first attempt by William Tyndale to translate and print the New Testament. It is also known as the Matthew Fragment as it contains chapters 1-22 of Matthew's Gospel. The only known copy of the Cologne Fragment is housed in the Grenville Collection at the British Library. In addition, the term 'Cologne Fragment' is used to refer to a 'new' poem by Sappho, which was discovered at the University of Cologne in 2004.

The Cologne Fragment is a copy of William Tyndale's first attempt at translating and printing the New Testament

The Cologne Fragment provides valuable insight into Tyndale's work and his contribution to the translation of the New Testament from Greek into English in the 1520s. He published the complete New Testament in 1526 and the Five Books of Moses (Pentateuch) in 1530. His work laid the foundation for the 1611 King James Bible.

The discovery and study of the Cologne Fragment offer a glimpse into the challenges and intricacies of biblical translation. Tyndale's prologue in the fragment reveals his motivation and intent behind the translation. He translated the New Testament to make it accessible to a wider audience, encouraging others to interpret and amend his work as needed.

The Cologne Fragment is a significant piece of religious and historical text, providing a window into the evolution of biblical translation and the dissemination of religious knowledge during the early 16th century.

In a separate but interesting discovery, a new fragment of Sappho's poetry, known as the Cologne Fragment, was found at the University of Cologne in 2004. This discovery generated significant media interest, as Sappho scholars recognised that the 'new' poem was part of an existing papyrus fragment from Oxyrhynchus. This highlights the complex nature of textual interpretation and the ongoing process of uncovering ancient texts.

It is also known as the Matthew Fragment as it contains chapters 1-22 of Matthew's Gospel

The Cologne Fragment, also known as the Matthew Fragment, is a copy of William Tyndale's first attempt at translating and printing the New Testament. It is the only copy known to exist and is housed in the Grenville Collection at the British Library. The fragment includes Tyndale's Prologue, a woodcut of St Matthew, and chapters 1-22 of Matthew's Gospel.

Chapters 1-22 of Matthew's Gospel contain the genealogy of Jesus Christ, from his lineage as the son of David and the son of Abraham, to the birth of Jesus. The genealogy is divided into three sections, each containing fourteen generations. The first section traces the lineage from Abraham to David, the second from David to the Babylonian exile, and the third from the Babylonian exile to the Messiah.

The first chapter of Matthew's Gospel begins with the genealogy of Jesus Christ and ends with the story of his birth. It mentions Joseph, the husband of Mary, and how she was found to be pregnant through the Holy Spirit before they came together. Joseph, being a righteous man, decided to quietly divorce her. However, an angel of the Lord appeared to him in a dream and assured him that Mary's child was conceived by the Holy Spirit. The angel instructed Joseph to take Mary as his wife and name the child Jesus, as he would save his people from their sins. This fulfilled the prophecy mentioned in Isaiah 7:14, "Behold, the virgin shall be with child and bear a son, and they shall name him Emmanuel," which means "God is with us."

Chapter 1 also includes the genealogy of Jesus, starting with Abraham and ending with Joseph, the husband of Mary. It mentions prominent figures in Jewish history, such as David, Solomon, and Uriah. The genealogy emphasizes Jesus' royal lineage through David and his connection to the nation of Israel through Abraham.

Matthew's Gospel continues in Chapter 2 with the story of the magi, or wise men, who followed a star to Bethlehem to find and worship the newborn King of the Jews. King Herod, feeling threatened, ordered the murder of all boys under the age of two in Bethlehem. However, an angel warned Joseph to flee to Egypt with Mary and Jesus, where they remained until Herod's death. The family then settled in Nazareth, fulfilling the prophecy that Jesus would be called a Nazarene.

The subsequent chapters of Matthew's Gospel, which are not included in the Cologne Fragment, continue to narrate the life and ministry of Jesus, including his teachings, miracles, parables, and interactions with his disciples.

The only known copy of the Cologne Fragment is housed in the Grenville Collection at the British Library

The Cologne Fragment is the name given to what is thought to be William Tyndale's first attempt at translating and printing the New Testament. It is thought to have been printed in Cologne, Germany, in 1525. The only known copy of the Cologne Fragment is housed in the Grenville Collection at the British Library.

The document contains 31 leaves or pages, including Tyndale's Prologue, a woodcut of St Matthew, and chapters 1-22 of Matthew's Gospel. The British Library clearly values this rare text, having paid over one million pounds in 1994 for an original copy of Tyndale's 1526 New Testament.

The Cologne Fragment is also the name given to a papyrus fragment of a poem by Sappho, discovered at the University of Cologne in 2004. This was later published by Martin West in 2005. However, it was soon discovered that most of the 'new' work was actually another piece of an existing papyrus fragment from Oxyrhynchus, known as fragment 58.

The Cologne Fragment was printed in Cologne, Germany

The Cologne Fragment is the name given to what is thought to be William Tyndale's first attempt at translating and printing the New Testament. It is thought to have been printed in Cologne, Germany, in 1525.

The only known copy of the Cologne Fragment is housed in the Grenville Collection at the British Library. The text comprises 31 leaves or pages, including Tyndale's Prologue, a woodcut of St Matthew, and chapters 1-22 of Matthew's Gospel.

The discovery of the Cologne Fragment is significant as it provides insight into Tyndale's process of translating the Bible from Greek into English. It also showcases the challenges and uncertainties that scholars face when interpreting ancient texts, as even a single word or phrase can be disputed or difficult to discern.

Another example of a text referred to as the "Cologne Fragment" is a papyrus discovered at the University of Cologne in 2004, containing a poem by the ancient Greek poet Sappho. This discovery generated significant media interest as it was initially believed to be a "new" poem. However, upon further examination, it was found to be a fragment of an existing papyrus from Oxyrhynchus, known as fragment 58.

The Sappho papyrus fragment, like the Tyndale Bible fragment, highlights the complexities of working with ancient texts. It also demonstrates how new discoveries can shed light on existing works, filling in gaps and providing a more complete understanding of the text.

In 2004, a new Sappho papyrus was discovered at the University of Cologne, which was later published by Martin West in 2005

The Cologne Fragment is a poem by the archaic Greek poet Sappho. It is one of very few substantially complete works by Sappho and deals with the effects of ageing. The poem is written as an exhortation to a group of young women, putting forward the singer as an example to emulate. It discusses the singer's old age and tells the audience that while they too will grow old and lose their beauty, their musical abilities will be retained.

The discovery of the Cologne Fragment is particularly significant because it provides insight into the transmission and reception of Sappho's poetry in the ancient world. The poem's common name is derived from the Greek myth of Tithonus, which is mentioned in lines 9 to 12. According to the legend, Tithonus was a Trojan prince loved by Eos, the goddess Dawn. Eos asked Zeus to make her lover immortal, but as she did not ask for eternal youth for Tithonus, he continued to age for eternity.

The reference to the Tithonus myth in the poem seems out of place, but it is a characteristic feature of Sappho's poetry to use a mythical exemplum to illustrate the point of a poem. The Tithonus poem is also notable for its metre, called "acephalous Hipponacteans with internal double-choriambic expansion". It is one of only a few of Sappho's poems that are sufficiently complete to be treated as entire works.

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