
The anointing of Jesus is an event recorded in the four gospels, with accounts in Matthew, Mark, Luke, and John. The story involves a woman anointing Jesus with a costly jar of perfume. While the woman is unnamed in the accounts of Matthew, Mark, and Luke, the woman in John is identified as Mary of Bethany, the sister of Martha and Lazarus. The iconography of the woman's act has traditionally been associated with Mary Magdalene, but there is no biblical text identifying her as such.
| Characteristics | Values |
|---|---|
| Location | Jerusalem (according to the Bible) or Rome (according to Van Heemskerck) |
| Artist | Van Heemskerck |
| Medium | Pen and brown ink, over traces of black chalk |
| Date | 1566 |
| People | Jesus, Mary Magdalene, Simon, Pharisees, two men outside the banquet |
| Objects | Ointment jar, fabrics |
| Text references | Matthew 26, Mark 14, Luke 7:36-50, John 12:1-8 |
| Mary Magdalene's actions | Wept, wiped Jesus' feet with her hair, kissed his feet, and poured perfume on them |
| Jesus' actions | Defended Mary Magdalene from criticism, forgave her sins |
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What You'll Learn
- Mary Magdalene's act of anointing Jesus' feet with perfume is a display of her faith and love for him
- The perfume Mary Magdalene's used to anoint Jesus' feet was worth a year's wages
- The anointing of Jesus' feet by Mary Magdalene is depicted in art, such as Magdalene washing the feet of Christ in the House of Simon by Van Heemskerck
- The Gospel of Luke describes a sinful woman, who may be Mary Magdalene, anointing Jesus' feet with her tears and wiping them with her hair
- The anointing of Jesus' feet by Mary Magdalene foreshadows his actions at the Last Supper, where he washes the disciples' feet

Mary Magdalene's act of anointing Jesus' feet with perfume is a display of her faith and love for him
Mary Magdalene's act of anointing Jesus' feet with perfume is a powerful display of her faith and love for him. According to the Gospel accounts, Mary Magdalene, a woman with a sinful past, attended a banquet hosted by Simon, a Pharisee. Overcome with emotion, she began to weep at Jesus' feet, wiping them with her hair and anointing them with costly perfume from a jar. This act of humility and devotion symbolized her transformation and newfound faith in Jesus.
The Gospel of Luke describes a "sinful" woman who anointed Jesus' feet with her tears, an act that has often been associated with Mary Magdalene. While the woman in Luke's account is not explicitly named, the context suggests it could be Mary Magdalene, who is mentioned earlier in Luke's gospel. This interpretation has inspired numerous artistic depictions, such as the work by Van Heemskerck, "Magdalene Washing the Feet of Christ in the House of Simon."
In John's Gospel, the woman who anoints Jesus' feet is identified as Mary of Bethany, the sister of Martha and Lazarus. Six days before Passover, Mary anoints Jesus' feet with expensive perfume, an act that foreshadows Jesus' own humble service during the Last Supper. The cost of the perfume, equivalent to a year's wages, underscores the magnitude of Mary's sacrifice and her devotion to Jesus.
Mary's act of anointing Jesus' feet is a profound expression of her faith and gratitude. By pouring perfume on his feet and wiping them with her hair, Mary demonstrates her love and reverence for Jesus, recognizing his worth and identity as the Messiah. Jesus, in turn, defends Mary's actions, emphasizing the uniqueness of the moment and her sincere devotion.
Through her actions, Mary Magdalene exemplifies the transformative power of faith and the capacity for forgiveness and redemption. Her humble gesture serves as a testament to her unwavering belief in Jesus and her willingness to honor and serve him, even in the face of societal norms and expectations.
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The perfume Mary Magdalene's used to anoint Jesus' feet was worth a year's wages
The anointing of Jesus is an event recorded in all four gospels. In the Gospel of John, the woman who anoints Jesus's feet with costly perfume is identified as Mary, the sister of Martha and Lazarus of Bethany. In the Gospel of Luke, the woman is unnamed but referred to as a sinful woman who weeps as she anoints Jesus's feet, wiping them with her hair.
While the woman in Luke's Gospel is not explicitly identified as Mary Magdalene, the iconography of her act has traditionally been associated with her. This association is contested by biblical scholars.
The perfume Mary used to anoint Jesus's feet was worth a year's wages. This expensive act demonstrated her great faith and love for Jesus, and Jesus explains that her sins have been forgiven because of her faith.
The anointing also points to Christ's identity as the Messiah-King and foreshadows his imminent death and burial. It symbolises the unique opportunity that Mary has to honour Jesus, as he says, "You will always have the poor among you, but you will not always have me".
The use of her hair to wipe Jesus's feet was also a significant gesture, as it was considered improper for a woman to let her hair down in public in Jewish society. Mary's act of humility and sacrifice demonstrated her devotion to Jesus.
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The anointing of Jesus' feet by Mary Magdalene is depicted in art, such as Magdalene washing the feet of Christ in the House of Simon by Van Heemskerck
The anointing of Jesus's feet by Mary Magdalene has been depicted in art, including the painting "Magdalene washing the feet of Christ in the House of Simon" by Maarten van Heemskerck. This work, created in 1566, depicts a scene from the Bible's Gospel of Luke, in which a "sinful" woman washes Christ's feet with her tears and hair during a banquet at the house of Simon the Pharisee. While the biblical account does not specifically name Mary Magdalene, she has been associated with the woman in the story due to her earlier reference in Luke's gospel.
Van Heemskerck's interpretation of this biblical narrative is notable for its setting and visual details. He relocates the banquet from Jerusalem to Rome, with the Pantheon visible in the background. The composition includes ornate details such as elaborate fabrics and an ointment jar in the foreground, reflecting his attention to antiquity and mannered style. Heemskerck also makes a unique choice by displacing Jesus from the centre, creating a divide between the lavishly dressed Pharisees at the table and two humbly dressed men outside the banquet, witnessing the event with amazement.
The act of anointing Jesus's feet with perfume is mentioned in the four gospels, although the woman is not always identified as Mary Magdalene. The accounts vary in their specifics, but they all highlight the significance of the woman's actions, which symbolize forgiveness, love, and honour towards Jesus. The anointing is also linked to Jesus's impending death and burial, as foretold in the Gospel of John.
The story of Mary Magdalene anointing Jesus's feet has inspired numerous artistic interpretations beyond Heemskerck's work. For example, there is a painting by Artus Wolffort from the early 17th century, and an illuminated manuscript from around 1500, both depicting the same scene. These artistic depictions showcase the enduring fascination with this biblical episode and its themes of repentance, devotion, and Christ's humility.
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The Gospel of Luke describes a sinful woman, who may be Mary Magdalene, anointing Jesus' feet with her tears and wiping them with her hair
While the woman in Luke's gospel is not named, she has historically been associated with Mary Magdalene. This association is based on the appearance of Mary Magdalene earlier in Luke's gospel (Luke 8:1-3) and the assumption that Mary, the sister of Lazarus, is Mary Magdalene (John 12:1-8). However, biblical scholarship contests this interpretation, and the woman in Luke's account remains anonymous.
It is important to distinguish this event from the anointing of Jesus' feet by Mary of Bethany, sister of Martha and Lazarus, as described in John's gospel (John 12). Mary of Bethany is identified by name and is not referred to as a sinful woman. Additionally, the setting of her anointing is in Bethany, while Luke's account takes place in the northern regions of Nain and Capernaum.
The anointing of Jesus' feet by a sinful woman in Luke's gospel holds significant symbolic value. Through her actions, the woman expresses her love and appreciation for Christ, recognizing His worth. Jesus forgives her sins and uses the occasion to teach a parable about forgiveness (Luke 7:39-50). This parable, known as the Parable of the Two Debtors, emphasizes the woman's faith and the power of forgiveness.
The use of perfume in the anointing, as mentioned in Luke's account, is also noteworthy. The woman's act of anointing Jesus' feet with perfume is an exceptional gesture, reflecting the honor and respect she bestows upon Him. The inclusion of perfume in Luke's narrative aligns with other gospel accounts, such as Matthew and Mark, where an unnamed woman anoints Jesus with costly perfume. However, it is worth noting that the specific detail of drying Jesus' feet with hair is unique to John's and Luke's gospels.
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The anointing of Jesus' feet by Mary Magdalene foreshadows his actions at the Last Supper, where he washes the disciples' feet
The anointing of Jesus' feet is recorded in the four gospels, with slight variations in the accounts. According to the Gospel of John, Mary, the sister of Martha and Lazarus, took a jar of expensive perfume and anointed Jesus' feet, wiping them with her hair. This act of anointing is significant as it points to Christ's identity as both Messiah-King and Servant-King.
In the Gospel of Luke, a similar event is described, where a "sinful" woman washes Jesus' feet with her tears and wipes them with her hair. While the woman is not named in this account, she has traditionally been associated with Mary Magdalene. This association, however, is contested by biblical scholars.
The anointing of Jesus' feet by Mary Magdalene, or the unnamed sinful woman in Luke's account, is deeply symbolic. It foreshadows Jesus' actions at the Last Supper, where he washes the disciples' feet, demonstrating sacrificial and humble service. This act of humility and service is a powerful lesson in love and forgiveness.
The use of expensive perfume and the wiping of Jesus' feet with her hair are significant gestures. In Jewish society, it was considered improper for a woman to let her hair down in public. By doing so, Mary humbled herself and offered a blessing to Jesus, laying her honor at his feet.
The anointing also signifies the forgiveness of sins and the appreciation of Christ's worth. Jesus explains that the woman's faith and love have led to the forgiveness of her sins. This scene highlights the importance of unconditional love and how it can overflow into the lives of those around us.
Through her actions, Mary Magdalene, or the sinful woman in Luke's account, not only foreshadows Jesus' actions at the Last Supper but also demonstrates her deep love and faith in Jesus, setting an example of humble service and devotion.
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Frequently asked questions
Yes, Mary Magdalene poured perfume on Jesus' feet and wiped them with her hair.
Mary poured perfume on Jesus' feet as an act of love and to show her appreciation for Christ. It was also a way for her to lay her honour at the feet of Jesus.
The act of anointing Jesus' feet signalled his impending death and burial. It also pointed to his identity as the Messiah-King and his humble position as the Servant-King.









































